November 21, 2015
Next!:
A Beatscape.
Two elements, one smooth and one chaotic, vie for attention…
I took the beat that I made yesterday in iMaschine 2, slowed it down and added more elements; a few more drum hits and a bassline. All within the app.
Then I recorded it to AudioShare while muting and unmoving parts to make a composition. Then I ran it through AUFX:Dub and then through Dedalus, both times manipulating the effect over the course of the track.
Finally I moved it to Auria so I could add an iDensity track to it. I felt it needed some more random element. Some of the iDensity didn’t really work so I cut out bits and moved things around and faded things in and out till I was happy.
November 20, 2015
What Matters Matters:
A Beatscape.
iMaschine 2 was used again today, one beat jammed into AudioShare with AUFX:Space, done 4 times using different sounds. And twice with just the bass drum. Then all 6 versions were loaded into Auria and layered and arranged and collaged and manipulated and manicured until they behaved. Dedalus also played a role here.
Then a Poseidon drone/simple melody with Johnny (from Holderness Media) added for some tremolo goodness, then an iDensity piece that I had prepared earlier.
November 19, 2015
The First Day:
An Abstract Beatscape.
I began today in AnalogKit with Stuart Kilbride’s Synthanator project, which I recorded into AudioShare with Dedalus and AUFX:Dub.
Then I popped it into Auria and added some beats that I had prepared earlier: First was one made using Diode-108, Frobulator, Dedalus, and AUFX:Space. Second one made using Borderlands Granular, Turnado, TwistedWave, and AUFX:PeakQ. Then a third that I can’t remember how I made.
This is another instance of me experimenting with throwing together different beats of random speeds and seeing how they interact; even the AnalogKit track has a rhythm from the LFO. The four rhythms interact in unpredictable but not chaotic ways, and some judicious arrangement brings out a feeling and a story. I think anyway.
November 18, 2015
Interference:
Soundscape with vocal.
Today I took a file that I made in October using AnalogKit, Muckraker, and AUFX:Dub. Thanks to Stuart Kilbride whose ‘Synthanator ‘ patch I used. I loaded it into Auria, reversed it, duplicated it on a second track, and effected that with Emo Chorus as well as the inbuilt reverb and delay.
Next I recorded Figure into another track and time stretched it within Auria, I did a fairly random and extreme time stretch as I was looking for added artefacts.
Finally I recorded myself speaking some words. I tried using the voice from iSpeech TTS but couldn’t get it right, so did it myself.
November 17, 2015
Mr Black’s Rude Awakening:
I began todays track in the same way as yesterday by working with Nick Lau’s Drum TX project in AnalogKit. I programmed a variation on yesterdays beat and recorded it twice to AudioShare with AUFX:Space; each time with different settings.
Both went into Auria and were panned. The next step also echoed yesterday; I added a kick drum from Patterning for emphasis. The third step too; I added the clashy klangy preset sound that I made in Addictive Synth yesterday.
I finally moved in a new direction by programming an arpeggio in Addictive Synth and recording it twice with different presets that I had made earlier.
And last but not least I recorded myself reciting a line from the 1963 film A Comedy Of Terrors.
I had fun 🙂
November 16, 2015
It’s A Modern Condition:
Two movements; one a Beatscape, the other Ambient.
I began in AnalogKit with Nick Lau’s DrumXT, I added a beat from Patterning, a bassline from Addictive Synth, a crash sound also from Addictive Synth, and a drone from Poseidon.
A big thank you to Trudi for her review 😉
“A track in two movements. Opposites. Depicting the dichotomy of the human condition in the 21st Century; mired in the urban decay that the modern (post)industrial lifestyle spawns, we nevertheless yearn for a peace and tranquility that, alas, is available to few.” Trudi McBoody, Station FCKU Art Attack.
November 14, 2015
Plantagnet:
A beat, a bass line… something melodic.
Yo!
So I’m talkin’ iMaschine 2, Dedalus, AUFX:Space, AUFX:Dub, iSem, Poseidon.
That’s all you get!
Peace.
Out.
November 12, 2015
On Your Way:
There’s drums…there’s droney soundscapey stuff…oh and I’m ‘singing’ again…
I began this track in Auria by recording a Patterning beat, a drone from Addictive Synth, and then singing this old lyric. It needed more so I added another Patterning drumbeat. Still not happy I added 4 tracks of Poseidon drones that I had made last night and this morning.
I then added Sector and Reverb FDN to AudioShare‘s recorder and imported the file of my singing into Sector. I recorded a few takes but only liked a few bits, so I cut them out and added them to Auria. I also cut out one line of the vocal, slowed it and pitched it down a fifth in TwistedWave, and added it.
Now for a very important part of my workflow, I gave it to my Wonderful Wife for a trial listening…and after her comments I removed the Addictive Synth drone entirely and thinned out the others; thus opening up some breathing space. Big improvement!
I hope you like it.
Peace Out.
November 11, 2015
Medusa:
Oh oh more singing!
I don’i know what genre to use to describe this one. It’s got a synth arp and vocals, so in my book that makes it pop 🙂 Or Electronic Pop…or something. Give me your opinions please.
I began by playing in Addictive Synth until I came up with this arpeggio which I recorded into AudioShare with my ‘special secret sauce’ i.e. Dedalus, AUFX:Space, and AUFX:Dub, then I moved it to Auria.
Next I made a simple drum beat in DM1 at half the bpm of the arp and recorded it into AudioShare with the Secret Sauce. It seemed a little straight so I added another DM1 beat at the full bpm with just high hats that I blended in at low volume.
I still wasn’t happy with the drums so I loaded up DrumJam and recorded an African beat while hitting some snare here and there. Then I did it again with a different beat.
Okay, so far so good.
I’ve had this little lyric lying around for getting on to two decades, intending to turn it into a song; but somehow it never happened. It’s been living in my head for the last week or two, and I’ve been hoping to find a place for it. Today was the day!
I spoke and sang it straight into Auria using my headphone mike. To my ear it sounds like I’ve sung it with a slight english accent, I’m not sure why that is.
Anyhoo…enjoy 🙂
November 10, 2015
My Love (For Lene):
I’m singing acappella on this one. Don’t say you weren’t warned.
A love declaration for my wife.
I began by singing straight into the iPad, recording in AudioShare. Then I processed it through Turnado for a little glitching. Both files were then added to Auria and I recorded an arpeggio patch that I made yesterday in Addictive Synth. Next I turned to DM1 where I made a very simple beat at the same bpm as the arpeggio, looped it in AudioShare with Reverb FDN and AUFX:Dub and added it in the mix. Lots of arranging followed till you get what you get 🙂